Is it possible to converse with art ? and with objects?

How? Through a fantastic, unreal dialogue? Is it an illusion?

J. and Mª Ignacia solve the dilemma with subtlety, their pieces interact with their bodies, the work adapts to the clear body and the naked textures in its primitivism, to be assembled like a puzzle. It is this encounter that gives meaning to the work.

The bodies that are shown, the works that remain, and the observer who discovers everything assembled.

Function and beauty, substance and form, resolve the dialogue in both directions.

Mª Ignacia Walker and “All about time”.

J McDonald and “Underground table”.

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